Bi-color printing offered transferware potters a number of different design options such a...
Bi-color printing offered transferware potters a number of different design options such as the familiar border-versus-center contrast or the inclusion of color highlights within a printed image. Ridgway's "Etruscan Festoon" patterns represents a third strategy--the overlay of a contrasting layer of ornament over a printed ground.
Swags of floral garland in brown divide and accent a monochromatic pink field of floral nosegays against a solid background. The result is a lush combination of romanticism with light suggestions of a more formal classicism--appropriate perhaps for a rustic garden fete on the grounds of a dignified estate.