With Japanese blue and white porcelains as his source, Dresser evokes the flight of cranes over turbulent waves. Broad lines and simple stylized drawing achieve the effect of spontaneous Japanese brush strokes to a degree unexpected in transfer printing. Dresser's graphics form a horizontal band above a basketweave texture base. The split handle and flat rim differ from the usual wash jug form, giving the piece added distinction.

Christopher Dresser, one of the most important designers in Victorian England occupies for manufactured goods the sort of position William Morris occupies for arts and crafts.

Minton adapted Dresser's design, originally conceived for a horizontal tile frieze, to create both a border for plates and a band design for holloware. Adaptability is one mark of the genius of Dresser's pioneering manufacturing designs.